About me
ABOUT ME
It was an ordinary morning. I was walking into work as a research student at the Natural History Museum in London, clattering along the mosaic-tiled floors, through the Origin of Species corridor, past the marble statue of Charles Darwin. Then I paused at one of my favourite exhibits — a slightly tatty stuffed quagga, an extinct horse with partial zebra stripes. It stood alone and out of place in its glass cabinet, with a poignant little bullet hole in its backside that spoke of its final moments on Earth.
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Somewhere on that walk to the department of entomology, I knew I was not going to be a scientist. What I had really wanted, all along, was to be a journalist. That realisation set me on one of the most exciting adventures of my life.
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In the 25 years since, I've had the privilege of working with some of the finest journalists, editors, scientists, and entrepreneurs in the world — and on some of the most consequential stories of our age. The rise of genomics. The birth of private space. The global pandemic and the race for a vaccine, and the question of covid-19's origins. More recently the arrival of GLP medicines were an incredible story, one that appeared on two cover stories for The Economist. I've had a front-row seat to extraordinary science and I can't wait to tell you what happens next.
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I've won many awards nationally and internationally for my work over the years in many different formats. I work in print, audio, and film.
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My newsletter Overmatter is great, please do sign up. It is free and you will get an inside track on what is on my mind. ​I tweet sometimes on X at @natashaloder and more often on bluesky @natashaloder.bsky.social​. Public speaking and conference chairing queries should be directed to Specialist Speakers. The headshots and biography below can be used by agreement. ​

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Biography Natasha Loder is The Economist’s Health Editor. She covers a range of topics in health, medicine, pharma, and science. She has won many awards for her work in news, features, opinion and audio. Her work frequently appears on the cover of The Economist, and she regularly appears in podcasts and broadcasts on health-related matters. She has hosted several documentaries for BBC Radio 4. She is a former judge on the John Maddox Prize. In her spare time, she draws cartoons.